This Monday’s class was very exciting. We were very lucky to not only have
the artist Jacob Tonski’s Striking Balance exhibition in our
own Pearl Conard Art Gallery, but also to attend his lecture. Although Jacob
Tonski’s work is fascinating and inspiring on its own, I could never have
appreciated the depth of his pieces had I not heard his explanation of them first.
In his lecture, Jacob Tonski shared thought provoking insights about the
world. It is the context of his world perception, I think,
that makes his work so interesting. When he indirectly described his work in
the balance exhibition through stories about the Burning Man event, he said
that he found it very interesting to see how quickly people can adapt to the
very different environment of Burning Man. People come from busy jobs and
careers to the Navada desert and are somehow able to take on the very
contrasting lifestyle of Burning Man for the short time that they attend the
festival. We can adapt quickly and fundamentally, he said, “if our environment
expects it of us.” To see the physical balance of his artwork in the gallery and
understand that it was partly implying emotional adaptation in human beings created
an entirely different experience than what I could have expected had I not heard
him speak. I am very glad that I had the opportunity to do so.
A mind blowing piece of artwork in Jacob Tonski’s exhibition was the balancing
couch which stood above everything else in the gallery. The Victorian
couch stands upright unsupported in the middle of the room, extending its
length toward the ceiling while touching the ground with only a single leg. It
functions so well that one might be tempted to assume that its balance has been
faked by suspension from the rafters or being bolted to the floor. As we saw in
the incredible videos in Tonski's lecture, however, the couch is in fact balanced by
a brilliant contrivance hidden beneath the cushions. He spent a year
designing the machine which balances itself on a point in real time by rotating perpendicular
disks. When one stands before the couch in person, the humming of the machine
and the small, constant adjustment to its balance taking place in real time can be
observed and are something to behold. To see the piece as an example of human adaptation and the precarious balance of our lives was profound.
Thanks for sharing your thoughts about the lecture and exhibition, Talia! I too appreciated learning that he thinks of his works as metaphors for human adaptation...
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